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Leonardo Electronic Almanac / Volume 6, No. 5 / May 1998

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Leonardo Electronic Almanac
Volume 6, No. 5
May 1998
ISSN #1071-439
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLE
ZoneZero (excerpts)
Pedro Meyer
 
Reduction to Pixels — Using a Common Human – Computer Interface
to Create 3D Artificial Realities (excerpts)
Lin Hsin Hsin
 
PROFILE
Astrolabe (excerpts)
Carol Gigliotti
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
Editorial: Color Me Synesthesia
Written by Jack Ox
Book Review: Cybertext, Perspectives on Ergodic Literature
Reviewed by Judy Malloy
Book Review: The Most Beautiful Molecule
Reviewed by Clifford Pickover
Web Review: The Inter-Communication Center of Tokyo
Reviewed by Axel Mulder
Design Culture: An Anthology of Writing from the AIGA
Journal of Graphic Design
Reviewed by Roy Behrens
Conference Review: Scriabin’s Celebrations in Moscow
Reviewed by I. Vanechkina
Digital Review Notes
 
ANNOUNCEMENTS
Electronic Art and Digital Design in Barcelona
Secession Gallery – Call for Entries
Charter/Charte Art Forum
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 6, No. 5 / May 1998

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.