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Leonardo Electronic Almanac / Volume 7, No. 1 / January 1999

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Leonardo Electronic Almanac
Volume 7, No. 1
January 1999
ISSN #1071-4391
 
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
 
MASS ‘98 Keynote – Strategies of Media Art. (excerpts)
Roy Ascott
 
LEA New Design
Patrick Maun
 
PROFILES
MASS ‘98 – Media Art Symposium Stockholm (excerpts)
Janet Colletti
DIS-M-BODY (excerpts)
Kenneth E. Rinaldo and Amy Youngs
What’s new in Virtual Africa (excerpts)
Jocelyne Rotily, Curator
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
 
Book Review: The Future of Software by Derek Leebaert(ed.)
Reviewed by Kevin Murray
Exhibit Review: Rauchenberg Retrospective
Reviewed by Roger Malina
Book Review: Duchamp Unpacked by Dalia Judovitz
Reviewed by Molly Hankwitz
Book Review: In the Eye of the Beholder by Vicki Bruce and Andy Young
Reviewed by Wilfred Arnold
Editorial: VideoDance
Written by Doug Rosenberg
 
OPPORTUNITIES
Artist in 3D Studies/Digital Design – Duluth, Minnesota
Music Notation Software Position in Philadelphia
Ohio University School of Music Electronic Music Graduate Assistantships: 1999-2000
 
ANNOUNCEMENTS
Leonardo Music Journal Relaunch
ACADIA’99 Conference
Creativity & Cognition 3
2nd International Workshop on Strategic Knowledge and Concept Formation
12th European Media Art Festival
New on the Pioneers and Pathbreakers Project: Nicolas Schoffer site
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 7, No. 1 / January 1999

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.