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Leonardo Electronic Almanac / Volume 7, No. 3 / March 1999

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Leonardo Electronic Almanac
Volume 7, No.3
March 1999
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
Every Pixel takes its own journey — using a common human computer interface to create 2-D digital art
Lin Hsin Hsin
Between the Waves: reflections on art, technology and publicaffairs since 1968 (excerpts)
Michael Punt
Editorial: Ubiquitous Computing, and Time (excerpts)
Curtis E.A. Karnow
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
Conference Review: The Touch Festival by STIEM
Reviewed by Rhama Khazam
Book Review: The Grid by Ian Foster & Carl Kesselman
Reviewed by Curtis Karnow
Book Review: The Alphabetic Labyrinth by Kpjamma Dricler
Reviewed by Clifford Pickover
Book Review: Scientific Instruments by Gerald LE Turner
Reviewed by David Topper
Book Review: Musical Instrument Design by Bart Hopkin
Reviewed by Josh Firebaugh
 
OPPORTUNITIES
Brown University Master of Arts Program in Computer Music and
Multimedia Composition
 
ANNOUNCEMENTS
OLATS News
Summer course at CNMAT: Max/MSP Night School
New Book on Psychoacoustics and Computer Music
Call for Entries : Sydney, Australia
COMTEC art ‘99 Dresden
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 7, No. 3 / March 1999

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.