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Leonardo Electronic Almanac / Volume 7, No. 4 / April 1999

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Leonardo Electronic Almanac
Volume 7, No.4
April 1999
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
Consciousness Reframed II — Casablanca and Men in Black: Consciousness, Remembering, and Forgetting
Michael Punt
Leonardo Monograph: Towards a Transformative Set-up: A Case-Study of the Art and Virtual Environments Program at the Banff Center for the Arts
Michael Century & Thierry Bardini
Leonardo Monograph: Extended Musical Interface with the Human Nervous System: Assessment And Prospectus
David Rosenboom
 
PROFILES
European Media Art Festival, Osnabruck
Alfred Rotert
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
 
Exhibition Review: 2nd Biannual Festival of Experimental Arts
Reviewed by Mikhail S. Zalivadny
Book Review: Reflexions sur l’exil Written by Frank Popper
Reviewed by Annick Bureaud
Book Review: On Reflection Written by Jonathan Miller
Reviewed by Wilfred Arnold
Book Review: Einstein’s Miraculous Year Edited by John Stachel
Reviewed by David Topper
Book Review: The Pyrotechnic Insanitarium American Culture on the
Brink Written by Mark Dery
Reviewed by Molly Hankwitz
 
OPPORTUNITIES
ISEA – Montreal, Quebec
Pompeu Fabra University – Barcelona
CREATE Research Director – Santa Barbara, CA
L’OREAL Art and Science of Color Prize
 
ANNOUNCEMENTS
Interactive Narrative Conference
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 7, No. 4 / April 1999

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.