Old Issues

Leonardo Electronic Almanac / Volume 8, No. 12 / December 2000

Posted by on

Leonardo Electronic Almanac
Volume 8, No. 12
December 2000
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
LIVING ARCHITECTURES: Designing for Immersion and Interaction:
Welcome and Introduction
by Sara Diamond
 
Virtual Reality and the Urban Landscape
by Richard M. Levy
 
Navigation through Knowledge Spaces
by Thomas Whalen
 
resistant spaces :: subjects
by Linda Wallace
 
Simulation: The Cultural Anticipation of Our Own Demise
by Greg Niemeyer with Julie Daley
 
OPPORTUNITIES
University of Michigan’s School of Art and Design and School of Music
Indiana University Center for Electronic and Computer Music
 
ANNOUNCEMENTS
OLATS News
Call for Papers – The Role of Artists and Scientists in Times of War
ArtSci2001 Symposium: Catalyst for Collaboration
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 8, No. 12 / December 2000

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.