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Leonardo Electronic Almanac / Volume 8, No. 3 / March 2000

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Leonardo Electronic Almanac
Volume 8, No. 3
March 2000
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
MONOGRAPH
Frank Malina, Artist and Scientist: Works from 1936 to 1963
by Frank Popper
 
PROFILES
Rhizome_Raw: Database Of Virtual Art
Humboldt-University, Berlin
 
LEONARDO DIGITAL REVIEWS
This Month’s Reviews
Michael Punt
 
OPPORTUNITIES
Director for the University of Florida Digital Worlds Institute
 
ANNOUNCEMENTS
School of Visual Arts Liberal Arts Conference
Southeast Asia’s First Conference on Music Technology in the Third Millenium
New Art Portfolio – The home of original art – Call to all Artists
Call for Entries – Split 2000
Netmage
International Multimedia Urban Arts Festival
Summer Intensive in Electro-Acoustic Music
Eighth New York Digital Salon
OLATS News
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 8, No. 3 / March 2000

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.