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Leonardo Electronic Almanac / Volume 8, No. 6 / June 2000

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Leonardo Electronic Almanac
Volume 8, No. 6
June 2000
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
The Media Arts Dictionary Project
by Louise Poissant
 
Towards a Third Culture | Being in Between
by Victoria Vesna
 
PROFILES
Aesthetics – Mathematical and Computational
 
LEONARDO DIGITAL REVIEWS
This Month’s Reviews
Michael Punt
 
OPPORTUNITIES
Florida State University School of Music
 
ANNOUNCEMENTS
Makepeace Tsao obituary
Letter to the Editor
DePaul Launches New Computer Graphics & Animation Program
LIFE 3.0 International Competition
MTAC 2001 – Multidisciplinary Digital-Media Conference
Telepresence – Art – Telepistemology Publication
OLATS News – Virtual Africa
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 8, No.6 / June 2000

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.