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Leonardo Electronic Almanac / Volume 9, No. 1 / January 2001

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Leonardo Electronic Almanac
Volume 9, No. 1
January 2001
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
 
LEONARDO JOURNAL
Leonardo 34:2 (2001) – Table of Contents
 
LEONARDO DIGITAL REVIEWS
This Month’s Reviews
 
Annual Report
Michael Punt
Noise, Water, Meat: A History of Sound in the Arts by Douglas Kahn.
Reviewed by Yvonne Spielmann.
 
ISAST NEWS
OLATS News: Livres & Etudes, New Essay: “For a New Kind of Aesthetics,”
by Mario Costa
Leonardo Call for Papers: The Role of Artists and Scientists in Times of War
2000 Leonardo New Horizons Award
“Leonardo” – The Microtonal Musical Piece
The Spirit and Power of Water
Christa Sommerer Joins the LEONARDO Editorial Board
Editorial Board Member JŸrgen Claus
Margaret Morse Joins the Leonardo Book Series Committee
 
FROM CREATIVE DISTURBANCE
Where Are the Anthropologists?
By Michael Naimark
 
LEA WORLD WIDE WEB ACCESS
 
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 9, No. 1 / January 2001

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.