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Leonardo Electronic Almanac / Volume 9, No. 3 / March 2001

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Leonardo Electronic Almanac
Volume 9, No. 3
March 2001
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
The New Leonardos
by Roger Malina
 
LEONARDO JOURNAL
More Symptom than Cure–Conference Report: Moving Images:
Technologies, Transitions, Historiographies
by Michael Punt
 
LEONARDO DIGITAL REVIEWS
This Month’s Reviews
by Michael Punt
OBSERVER/OBSERVED and Other Works of Video Semiology and Retrospective de films et de video by Takahiko Iimura
Reviewed by Mike Leggett
 
ISAST NEWS
Leonardo Virtual Africa Power and Spirit of Water Project: Miami Miautre
Leonardo/ISAST Book Series Report
 
OBITUARY
Iannis Xenakis: 1922–2001
by Roger Reynolds
 
ENDNOTE
Your Mind Is Your Best Fool: The Human Being and the Dilemma in
Relation to the Mental Environment and Art
by Wolf Gowin
 
ANNOUNCEMENTS
About the Center for Design Visualization, University of
California, Berkeley
Archive User Survey

Leonardo Electronic Almanac / Volume 9, No. 3 / March 2001

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.