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Leonardo Electronic Almanac / Volume 9, No. 4 / April 2001

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Leonardo Electronic Almanac
Volume 9, No. 4
April 2001
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Molly Hankwitz
 
FEATURE ARTICLES
Audience Architectures, Extended Bodies and Virtual Interactive Puppetry (VIP): Towards a Portable Software for Empowering Performance Interactions by Lizbeth Goodman
Stefan Kueppers
Recognizing the Poetry of Variables in the Digital Ecology
by Richard Loveless
Digital Putty, Tactile Navigation by Stefan Kueppers
Will McLean, Andrew Whiting
Identity, Poetry, Memory, Nature
by Vibeke Sorensen
 
 
ANNOUNCEMENTS
Announcing: Complex Systems and Art; …and Sports…
Living in Mixed Realities
Sonic Circuits IX
Call for materials for the Frank J Malina Archives
OLATS News
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 9, No. 4 / April 2001

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.