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Teaching Video Production in Virtual Reality LEA Magazine Article

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LEA Volume 17 Issue 1
Senior Editor for this issue: Lanfranco Aceti

Reference: Joseph Farbrook, “Teaching Video Production in Virtual Reality,” ed. Lanfranco Aceti, Leonardo Electronic Almanac (Mish Mash) 17, no. 1 (2011): 142-151.

Teaching Video Production in Virtual Reality
by Joseph Farbrook
Article DOI: 10.5900/SU_9781906897116_2011.17(1)_142

Teaching video production using video game technology and a method of live manipulation of digital puppets and props ofers new possibilities for narrative, without shifting focus away from storyline and dramatic content, due to technical hurdles. This production technique known as Machinima has been steadily gaining in popularity and prominence due to the relative ease and speed in which small production teams can learn to use video game software in this new way and quickly create professional quality animated movies.

Full article is available for download as a pdf at the bottom of the page.

The first issue of the Leonardo Electronic Almanac (LEA) is published on line as free PDF but will also be rolled out as Amazon Print on Demand and will be available on iTunes, iPad, Kindle and other e-publishing outlets. As the Mish Mash issue becomes available on the different platforms we will send out announcements via LEA’s mailing list and through LEA’s social networks. To view the full list of articles in the table of content please click here.

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.