Live Visuals, Leonardo Electronic Almanac, Volume 19 Issue 3
ISBN: 978-1-906897-22-2
ISSN: 1071-4391
Date of Publication: July 15, 2013
Number of Pages: 384
Volume Editors: Lanfranco Aceti, Steve Gibson and Stefan Müller Arisona
Editor: Ozden Sahin
The print issue of LEA Volume 19 Issue 3 Live Visuals is available on Amazon.
Live visuals have become a pervasive component of our contemporary lives; either as visible interfaces that re-connect citizens and buildings overlaying new contextual meaning or as invisible ubiquitous narratives that are discovered through interactive actions and mediating screens. The contemporary re-design of the environment we live in is in terms of visuals and visualizations, software interfaces and new modes of engagement and consumption. This LEA volume presents a series of seminal papers in the field, offering the reader a new perspective on the future role of Live Visuals.
TABLE OF CONTENTS
When Moving Images Become Alive!
Introduction by Lanfranco Aceti
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Revisiting Cinema: Exploring The Exhibitive Merits Of Cinema From Nickelodeon Theatre To Immersive Arenas Of Tomorrow
by Brian Herczog
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The Future Of Cinema: Finding New Meaning Through Live Interaction
by Dominic Smith
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A Flexible Approach For Synchronizing Video With Live Music
by Don Ritter
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Avatar Actors
by Elif Ayiter
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Multi-Projection Films, Almost-Cinemas And Vj Remixes: Spatial Arrangements Of Moving Image Presence
by Gabriel Menotti
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Machines Of The Audiovisual: The Development Of “Synthetic Audiovisual Interfaces” In The Avant-Garde Art Since The 1970s
by Jihoon Kim
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New Photography: A Perverse Confusion Between The Live And The Real
by Kirk Woolford
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Text-Mode And The Live Petscii Animations Of Raquel Meyers: Finding New Meaning Through Live Interaction
by Leonard J. Paul
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Outsourcing The VJ: Collaborative Visuals Using The Audience’s Smartphones
by Tyler Freeman
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AVVX: A Vector Graphics Tool For Audiovisual Performances
by Nuno N. Correia
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Architectural Projections: Changing The Perception Of Architecture With Light
by Lukas Treyer, Stefan Müller Arisona & Gerhard Schmitt
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In Darwin’s Garden: Temporality and Sense of Place
by Vince Dziekan, Chris Meigh-Andrews, Rowan Blaik & Alan Summers
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Back To The Cross-Modal Object: A Look Back At Early Audiovisual Performance Through The Lens Of Objecthood
by Atau Tanaka
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Structured Spontaneity: Responsive Art Meets Classical Music In A Collaborative Performance Of Antonio Vivaldi’s Four Seasons
by Yana (Ioanna) Sakellion & Yan Da
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Interactive Animation Techniques In The Generation And Documentation Of Systems Art
by Paul Goodfellow
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Simulating Synesthesia In Spatially-Based Real-Time Audio-Visual Performance
by Steve Gibson
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A ‘Real Time Image Conductor’ Or A Kind Of Cinema?: Towards Live Visual Effects
by Peter Richardson
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Live Audio-Visual Art + First Nations Culture
by Jackson 2bears
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Of Minimal Materialities And Maximal Amplitudes: A Provisional Manual Of Stroboscopic Noise Performance
by Jamie Allen
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Visualization Technologies For Music, Dance, and Staging In Operas
by Guerino Mazzola, David Walsh, Lauren Butler, Aleksey Polukeyev
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How An Audio-Visual Instrument Can Foster The Sonic Experience
by Adriana Sa
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Gathering Audience Feedback On An Audiovisual Performance
by Léon McCarthy
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Choreotopology: Complex Space In Choreography With Real-Time Video
by Kate Sicchio
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Cinematics and Narratives: Movie Authoring & Design Focused Interaction
by Mark Chavez & Yun-Ke Chang
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Improvising Synesthesia: Comprovisation Of Generative Graphics And Music
by Joshua B. Mailman
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